Step 01
Send the rushes
A card dump or a drive of raw footage — camera or drone, single card or a full shoot's worth. We ingest and organise it through the .shock Suite pipeline.
Production & Post — Stock video editing
Raw footage cut, graded, stabilised and exported to exactly what Adobe Stock, Shutterstock, Getty / iStock and Pond5 accept — releases aligned and metadata ready to upload. Commercial and social edits delivered to the same standard.
Send us a card dump or a drive of rushes; you get back a library of clean, sellable clips. We cut long takes into tight, self-contained shots, grade them to a consistent look, stabilise and clean up anything that would get a clip rejected — wobble, dust, logos, recognisable trademarks — then export to each marketplace's exact codec, resolution and frame-rate spec. Releases are matched to the clips that need them and metadata is prepared in each agency's format. Built by a contributor with 20+ years and 3,000,000+ accepted assets across 24 agencies — and powered by the same engines behind the .shock Suite. It isn't only for stock: the same edit desk cuts commercial, brand and social deliverables to spec.
What we edit
01
Long takes broken into tight, self-contained clips at the lengths buyers search for — each shot trimmed to start and end clean.
02
A natural, neutral grade that holds across a whole take — or a stylised look on request — applied consistently so a set reads as one shoot.
03
Stabilisation, sensor-dust and spot removal, noise reduction and flicker fixes — the technical pass that keeps clips out of the reject pile.
04
Logos, brands, faces and trademarks identified and removed or flagged — so editorial-only material is labelled and commercial clips are genuinely clean.
05
Model and property releases matched to the clips that need them, plus titles, descriptions and keywords prepared in each agency's import format.
06
Exports to each marketplace's codec, resolution and frame-rate spec — plus social and commercial masters and cut-downs from the same edit.
Delivered to spec
We contribute to all of them, so we cut to each platform's technical bar — not a generic export that bounces at review.
Works with
Post
Stills retouching, grading, culling and keywording — the photo side of the same finishing desk.
Submit
Uploading and managing the finished clips across every agency, tracked per platform.
License
License existing footage from the .shock library, or commission clips shot to a brief.
Tag
The metadata engine that keywords clips at volume in each marketplace's format.
Step 01
A card dump or a drive of raw footage — camera or drone, single card or a full shoot's worth. We ingest and organise it through the .shock Suite pipeline.
Step 02
Long takes trimmed into tight clips, graded to a consistent look, stabilised and cleaned of dust, wobble, logos and trademarks that would get a clip rejected.
Step 03
Encoded to each marketplace's codec, resolution and frame-rate, releases matched and metadata prepared — plus any commercial or social cut-downs from the same footage.
Outputs
Turnaround
What you receive
Stock-first editing, delivered to every marketplace's spec — and commercial or social cut-downs from the same footage. Studio in Sarajevo, working worldwide.