.edit.shock

You hand .edit.shock a folder of images and get a developed set back — exposure, white balance and tone corrected from each frame's own EXIF, your looks applied where you choose, and one-key apply-to-all so the batch reads as one coherent edit. Everything is non-destructive: originals never change, settings live beside them and re-import from JSON. Web mode develops JPEG/PNG; RAW files develop through the free Dotshock desktop engine as it rolls out.

• Auto colour and tone applied across the whole batch, so every frame lands corrected instead of flat out of camera.
• EXIF-aware auto develop reads ISO, shutter, flash and focal length and sets sane starting corrections the moment a frame is selected.
• Control points — click a spot and everything similar in colour and tone nearby is selected automatically; brighten, saturate or warm just that region.
• Match Look — hand it a reference image and it approximates the exposure, white balance, contrast and saturation as ordinary revertable sliders.
• Develop by prompt — describe the grade in words and AI proposes the slider values, clearly labelled and fully revertable (your key or your server's).
• Scene presets and lighting siblings — develop one frame, then push its settings to every frame shot in the same light or the same scene type.
• Reusable looks — save your own slider recipes, preview them on hover, apply per frame or across the batch.
• Agency export presets render to each agency's format and size caps, with batches over a handful delivered as one ZIP.
• Non-destructive by design — originals are never touched; settings persist locally and round-trip through JSON.

.edit.shock sits on the main line — after the cull, before retouch. It develops the RAWs that survive the cull and hands a clean, consistently graded set to retouch. In the spirit of Imagen AI and DxO, with no affiliation.

. .cull.shock → . .edit.shock → . .retouch.shock