.shock.LAB · retouch
.retouch.shock
Portrait & skin retouching, three engines.
The outcome .retouch.shock delivers.
What it does
Finish skin and portraits across a whole set without reworking every frame by hand. .retouch.shock runs skin, blemish, dark-circle, even-skin and contouring controls on its built-in canvas engine — a skin mask with frequency separation — so you pick the result you want and dial its strength per image with impact sliders. Masked object removal runs on either of two more engines: the local Dotshock Engine, offline and keyless, or your own cloud provider. The look holds steady from the first frame to the last.
- Even, natural skin across the take, so a portrait set reads consistent instead of patchy.
- Blemish and dark-circle clean-up that lifts distractions while keeping real skin texture.
- Three engines on tap — a built-in canvas engine for skin, the local Dotshock Engine for offline object removal, and your own cloud key (Replicate, fal, OpenAI or Gemini) — so you match the right result to each job.
- Per-image impact sliders that set how far each correction goes, frame by frame.
- Contouring controls to shape the portrait without the look turning plastic.
- Set-wide consistency that carries one finish across hundreds of frames in a single pass.
Built for the photographers who need it.
Who it's for
For portrait, fashion and lifestyle shooters who deliver people in volume and need every face to land clean. If you finish full sets rather than single hero frames, .retouch.shock gives you skin and portrait results that hold across the take — with the control to push or hold back on any single image.
Where .retouch.shock fits.
In the pipeline
Main line — after the edit, before release. It takes a graded take and finishes the skin and portraits.
. edit.shock → . retouch.shock → . release.shock
What you get on each plan.
Availability by plan